{"id":944,"date":"2017-10-25T20:06:14","date_gmt":"2017-10-25T20:06:14","guid":{"rendered":"http:\/\/www.ripm.org\/cnc\/?p=944"},"modified":"2017-11-15T17:06:30","modified_gmt":"2017-11-15T17:06:30","slug":"100-years-ago-this-week-jascha-heifetz-made-his-american-debut","status":"publish","type":"post","link":"https:\/\/www.cnc.ripm.org\/?p=944","title":{"rendered":"100 Years Ago This Week, Jascha Heifetz Made His American Debut"},"content":{"rendered":"

National Public Radio in the United States recently commemorated the centennial anniversary of Jascha Heifetz’s American debut at Carnegie Hall.\u00a0 Here are some related images from our archives.<\/p>\n

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Heifetz in 1913 at the age of twelve.<\/p>\n

\"\"Musical America<\/em>, Vol. 25 No. 19 (10 March 1917): 11.<\/h6>\n

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A young Heifetz with Professor Auer and his violin students at summer school in Dresden.<\/p>\n

\"\"Musical America<\/em>, Vol. 21 No. 1 (7 November 1914): 25.<\/h6>\n

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Heifetz, a young man, with Professor Auer and his violin students in Petrograd (St. Petersburg).<\/p>\n

\"\"Musical America<\/em>, Vol. 24 No. 22 (30 September 1916): 11.<\/h6>\n

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One month before the arrival of Heifetz in America<\/p>\n

\"\"Musical America<\/em>, Vol. 26 No. 18 (1 September 1917): 2.<\/h6>\n

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The announcement of Heifetz\u2019s debut.<\/p>\n

\"\"Musical America<\/em>, Vol. 26 No. 25 (20 October 1917): 33.<\/h6>\n

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A compilation of reviews in several newspapers from\u00a0his debut<\/p>\n

\"\"\"\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Musical America,<\/em>\u00a0Vol. 27 No. 1 (3 November 1917): 18.\u00a0\u00a0<\/em><\/h6>\n

He has a technic which must make him the admiration and the despair of all the other violinists.\u00a0 His finger work is almost unerring, whether in rapid flights or in intricate passages of double stopping.\u00a0 But better than this is the exquisite finish, elasticity and resource of his bowing, which gives him a supreme command of all the tonal nuances essential to style and interpretation.<\/p><\/blockquote>\n

Above, The New York World\u00a0<\/em>(28 October 1917).<\/p>\n

Genius is a big word for which there seldom is use.\u00a0 Comparatively few persons are qualified to have it applied to them.\u00a0 Yet one such–a seventeen-year-old Russian youth–stood upon the Carnegie Hall stage yesterday afternoon and before his musical task was half completed an audience numbering more than 2,000, that knew, pronounced him the greatest violinist heard here in years.<\/p><\/blockquote>\n

Above,\u00a0The New York Sun\u00a0<\/em>(28 October 1917)<\/p>\n

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\"\"Musical America<\/em>, Vol. 27 No. 2 (10 November 1917): 3.<\/h6>\n

He quickly settled in New York City …<\/p>\n

… and traveled the country.<\/p>\n

\"\"Musical America,\u00a0<\/em>Vol. 27 No. 9 (29 December 1917): 47.<\/h6>\n

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A rare photo of a playful Heifetz.<\/p>\n

\"\"Musical America,\u00a0<\/em>Vol. 29 No. 15 (8 February 1919): 48.<\/h6>\n

A telling commentary, one month after his American debut.<\/p>\n

\"\"“Mephistos Musings,” Musical America,\u00a0<\/em>Vol. 27 No. 2 (10 November 1917): 8.<\/h6>\n

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Finally, Heifetz with his beloved Professor Aurer.<\/p>\n