{"id":672,"date":"2017-09-27T19:26:16","date_gmt":"2017-09-27T19:26:16","guid":{"rendered":"http:\/\/www.ripm.org\/cnc\/?p=672"},"modified":"2017-11-15T17:08:57","modified_gmt":"2017-11-15T17:08:57","slug":"today-in-1892-the-musical-herald-welcomed-dvorak-as-director-of-new-yorks-national-conservatory","status":"publish","type":"post","link":"https:\/\/www.cnc.ripm.org\/?p=672","title":{"rendered":"Today in 1892, <i>The Musical Herald<\/i> welcomed Dvo\u0159\u00e1k as director of New York\u2019s National Conservatory"},"content":{"rendered":"<p>Accompanied by his wife and children, Antonin Dvo\u0159\u00e1k arrived in America on 27 September 1892 to assume the directorship of the National Conservatory of Music in New York City.\u00a0 Soon after this much anticipated event, Boston\u2019s <em>Musical Herald <\/em>reprinted a review of the composer\u2019s welcome concert by music critic H. E Krehbiel, originally written for the <em>New York Tribune.\u00a0 <\/em>At the concert, Dvo\u0159\u00e1k\u2019s compositions and conducting were featured.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-688 size-medium\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2017\/09\/mhe_13_0219a-278x300.jpg\" alt=\"\" width=\"278\" height=\"300\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_13_0219a-278x300.jpg 278w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_13_0219a-650x701.jpg 650w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_13_0219a-213x230.jpg 213w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_13_0219a.jpg 651w\" sizes=\"auto, (max-width: 278px) 100vw, 278px\" \/><\/p>\n<p style=\"text-align: center;\">An illustration of\u00a0Dvo\u0159\u00e1k at the time of his stay in America<\/p>\n<p style=\"text-align: center;\">[<em>The Musical Herald<\/em>, Vol. 13 No. 12 (October 1892): 191.]<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-690 aligncenter\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2017\/09\/mhe_14_0032a-429x1024.jpg\" alt=\"\" width=\"429\" height=\"1024\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0032a-429x1024.jpg 429w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0032a-297x710.jpg 297w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0032a-126x300.jpg 126w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0032a-96x230.jpg 96w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0032a.jpg 691w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-691 aligncenter\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2017\/09\/mhe_14_0033a.jpg\" alt=\"\" width=\"450\" height=\"489\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0033a.jpg 699w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0033a-650x706.jpg 650w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0033a-276x300.jpg 276w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2017\/09\/mhe_14_0033a-212x230.jpg 212w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n<p style=\"text-align: center;\">[<em>The Musical Herald<\/em>, Vol. 14 No. 1 (November 1892): 30-31.]<\/p>\n<p>&nbsp;<\/p>\n<p>For more on Boston&#8217;s\u00a0<em>The Musical Herald<\/em>, click on this link!\u00a0<a href=\"http:\/\/ripm.org\/index.php?page=JournalInfo&amp;ABB=MHE\">http:\/\/ripm.org\/index.php?page=JournalInfo&amp;ABB=MHE<\/a><\/p>\n<p>For information about RIPM, click here!\u00a0<a href=\"http:\/\/ripm.org\/\">http:\/\/ripm.org\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Accompanied by his wife and children, Antonin Dvo\u0159\u00e1k arrived in America on 27 September 1892 to assume the directorship of the National Conservatory of Music in New York City.\u00a0 Soon after this much anticipated event, Boston\u2019s Musical Herald reprinted a review of the composer\u2019s welcome concert by music critic H. E Krehbiel, originally written for [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-672","post","type-post","status-publish","format-standard","hentry","category-curioschronicles"],"_links":{"self":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts\/672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=672"}],"version-history":[{"count":11,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts\/672\/revisions"}],"predecessor-version":[{"id":1133,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts\/672\/revisions\/1133"}],"wp:attachment":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}