{"id":2511,"date":"2018-06-06T16:06:40","date_gmt":"2018-06-06T16:06:40","guid":{"rendered":"http:\/\/www.ripm.org\/cnc\/?p=2511"},"modified":"2018-06-06T16:06:40","modified_gmt":"2018-06-06T16:06:40","slug":"puccini-and-mascagni-as-seen-by-viafora-in-musical-america","status":"publish","type":"post","link":"https:\/\/www.cnc.ripm.org\/?p=2511","title":{"rendered":"Puccini and Mascagni as Seen by Viafora&nbsp;<br\/>in <i>Musical America<\/i>"},"content":{"rendered":"<p style=\"text-indent: 2em;\">Last week,\u00a0we introduced\u00a0<a href=\"https:\/\/www.ripm.org\/cnc\/?p=2617\">Gianni Viafora<\/a>\u00a0and his &#8220;Gallery of Celebrities&#8221; in <em>Musical America<\/em>.<span style=\"font-size: 8pt;\"><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a><\/span>\u00a0Today we showcase his drawings of Puccini and Mascagni and compare them with contemporary photographs of the composers. We leave you to compare the skill and amusing refinement with which this all-but-forgotten artist depicts his subjects. We also include several texts from <em>Musical America<\/em>, a remarkable, though little-explored documentary resource, dealing with lesser-known elements of the composers\u2019 lives. And, for the first time, we provide links to entire articles sampled below, no subscription required!<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2529 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/05\/Puccini-FINAL.jpg\" alt=\"\" width=\"440\" height=\"555\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Puccini-FINAL.jpg 547w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Puccini-FINAL-238x300.jpg 238w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Puccini-FINAL-182x230.jpg 182w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2585\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/05\/photo-noCaption-1-195x300.jpg\" alt=\"\" width=\"190\" height=\"293\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo-noCaption-1-195x300.jpg 195w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo-noCaption-1-150x230.jpg 150w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo-noCaption-1.jpg 261w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><br \/>\nGiacomo Puccini<br \/>\n<span style=\"font-size: 8pt;\">24 Vol. No. 1 (22 July 1916): 7;\u00a0Vol. 29 No. 8 (21 December 1918): 1.<\/span><\/p>\n<p style=\"text-indent: 2em;\">Note that Puccini is pictured lake-side, across from which is depicted his villa on Torre del Lago. Note also the tiny singing duck, perched on the end of the composer&#8217;s hunting rifle!<\/p>\n<p style=\"text-align: center;\">Puccini the Hunter<br \/>\n&#8220;&#8230;duck shooting, which he pursued with more energy than his composing&#8230;&#8221;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2703 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/06\/Puccini-the-Hunter.jpg\" alt=\"\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Puccini-the-Hunter.jpg 560w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Puccini-the-Hunter-300x169.jpg 300w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Puccini-the-Hunter-409x230.jpg 409w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><br \/>\nWatch this video here:\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=gYqIdOI_Rdw\">https:\/\/www.youtube.com\/watch?v=gYqIdOI_Rdw<\/a><br \/>\n<strong><span style=\"font-size: 10pt; color: #0000ff;\">Please use your browser&#8217;s back arrow to return to this post.<br \/>\n<\/span><\/strong><strong><span style=\"font-size: 10pt; color: #0000ff;\">(<span style=\"color: #ff0000;\">Warning:<\/span> If you do not you will be watching random videos for days to come, over which we have no control<\/span><\/strong><strong><span style=\"font-size: 10pt; color: #0000ff;\">!)<\/span><\/strong><\/p>\n<p style=\"text-indent: 2em; text-align: left;\">An anecdote:<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2536 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/05\/Anecdote-1.jpg\" alt=\"\" width=\"490\" height=\"170\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Anecdote-1.jpg 606w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Anecdote-1-300x104.jpg 300w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Anecdote-1-540x187.jpg 540w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><span style=\"font-size: 8pt;\">&#8220;Personalities,&#8221; Vol. 13 No. 13 (4 February 1911): 20.<\/span><\/p>\n<div style=\"text-align: center;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2661 size-full\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/06\/title-2.jpg\" alt=\"\" width=\"898\" height=\"241\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/title-2.jpg 898w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/title-2-650x174.jpg 650w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/title-2-300x81.jpg 300w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/title-2-540x145.jpg 540w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><br \/>\n<span style=\"font-size: 8pt;\">Vol. 13 No. 7 (24 December 1910): 8.<\/span><\/p>\n<p style=\"text-indent: 2em; text-align: left;\"><span style=\"font-size: 14pt; color: #0000ff;\">To read the entire article, click here: <strong>&#8220;<a style=\"color: #0000ff;\" href=\"https:\/\/ripm.org\/?page=Puccini_MUM\">Puccini at Home&#8221;<\/a><\/strong><\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt;\">*\u00a0 \u00a0 \u00a0 \u00a0*\u00a0 \u00a0 \u00a0 \u00a0*\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><a href=\"#_ftnref2\" name=\"_ftn2\"><\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 8pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2665 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/06\/Mas-sharpened-2.jpg\" alt=\"\" width=\"420\" height=\"715\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Mas-sharpened-2.jpg 466w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Mas-sharpened-2-417x710.jpg 417w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Mas-sharpened-2-176x300.jpg 176w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/Mas-sharpened-2-135x230.jpg 135w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2526\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/05\/photo-213x300.jpg\" alt=\"\" width=\"200\" height=\"282\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo-213x300.jpg 213w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo-504x710.jpg 504w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo-163x230.jpg 163w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/photo.jpg 566w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><br \/>\n<\/span><span style=\"font-size: 8pt;\"><span style=\"font-size: 12pt;\">Pietro Mascagni\u00a0<\/span><br \/>\nVol. 24 No. 14 (5 August 1916): 7;<\/span>\u00a0<span style=\"font-size: 8pt;\">Vol. 24 No. 2 (13 May 1916): 29.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2668 size-full\" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/06\/conducting.jpg\" alt=\"\" width=\"881\" height=\"677\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/conducting.jpg 881w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/conducting-650x499.jpg 650w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/conducting-300x231.jpg 300w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/conducting-299x230.jpg 299w\" sizes=\"auto, (max-width: 881px) 100vw, 881px\" \/><span style=\"font-size: 8pt;\">Vol. 23 No. 25 (22 April 1916): 19.\u00a0<\/span><\/p>\n<p style=\"text-indent: 2em; text-align: left;\">Two anecdotes:<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2519 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/05\/anecdote-1.jpg\" alt=\"\" width=\"300\" height=\"310\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/anecdote-1.jpg 384w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/anecdote-1-290x300.jpg 290w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/anecdote-1-222x230.jpg 222w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>\u00a0 \u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2520 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/05\/Anecdote-2.jpg\" alt=\"\" width=\"309\" height=\"240\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Anecdote-2.jpg 370w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Anecdote-2-300x233.jpg 300w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/05\/Anecdote-2-297x230.jpg 297w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><br \/>\n<span style=\"font-size: 8pt;\">&#8220;What the Gossips Say,&#8221; Vol. 6 No. 6 (22 June 1907): 14; &#8220;Echoes of Music Abroad,&#8221; Vol. 15 No. 24 (20 April 1912): 12.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2671 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/06\/chorus-girl.jpg\" alt=\"\" width=\"270\" height=\"162\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/chorus-girl.jpg 392w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/chorus-girl-300x180.jpg 300w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/chorus-girl-384x230.jpg 384w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/>\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2672 \" src=\"http:\/\/www.ripm.org\/cnc\/wp-content\/uploads\/2018\/06\/tmz.jpg\" alt=\"\" width=\"320\" height=\"126\" srcset=\"https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/tmz.jpg 401w, https:\/\/www.cnc.ripm.org\/wp-content\/uploads\/2018\/06\/tmz-300x118.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><br \/>\n<span style=\"font-size: 8pt;\">Vol. 16 No. 11 (20 July 1912): 27; Vol. 15 No. 24 (20 April 1912): 29.\u00a0<\/span><\/p>\n<div style=\"text-align: center;\">\n<p style=\"text-indent: 2em; text-align: left;\"><span style=\"font-size: 14pt; color: #0000ff;\">To read both articles, click here: <strong><a style=\"color: #0000ff;\" href=\"https:\/\/ripm.org\/index.php?page=Mascagni_MUM\">Mascagni&#8217;s (in)fidelity<\/a><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-indent: 2em; text-align: left;\">Mascagni at the piano&#8230;<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/sFzbZE4vhUE?rel=0&amp;start=49&amp;end=143\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<div><\/div>\n<div style=\"text-align: left;\">\n<p>More Viafora coming soon&#8230;<\/p>\n<p style=\"text-align: left;\"><u>RIPM search tip<\/u>: For more on Viafora and his drawings in\u00a0<em>Musical America,\u00a0<\/em>access the RIPM Preservation Series: European and North American Music Periodicals, as fill in the following fields: Periodical:\u00a0<em>Musical America\u00a0<\/em>(New York, 1898-1899, 1905-1922 [-1964]), Keyword(s): Viafora.<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #0000ff;\"><strong>Click\u00a0<\/strong><span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/ripm.org\/?page=cncsubscribe\">here<\/a><\/span><strong>\u00a0to\u00a0subscribe to RIPM\u2019s\u00a0<i>Curios, News, and Chronicles!\u00a0<\/i><\/strong><\/span><\/p>\n<p style=\"text-align: left;\">When is our next posting?\u00a0To find out, follow us on\u00a0<a href=\"https:\/\/twitter.com\/RIPMCenter\">Twitter<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.facebook.com\/RIPMCenter\/\">Facebook<\/a>!<\/p>\n<p align=\"center\">***<\/p>\n<p>RIPM is an international non-profit organization preserving and providing access to music periodicals published in more than twenty countries between approximately 1760 and 1966, from Bach to Bernstein.\u00a0 Functioning under the auspices of the International Musicological Society, and the International Association of Music Libraries, Archives, and Documentation Centres, RIPM produces four electronic publications: Retrospective Index to Music Periodicals, Retrospective Index to Music Periodicals with Full Text, RIPM European and North American Music Periodicals (Preservation Series), and RIPM Jazz Periodicals (Preservation Series, forthcoming).<\/p>\n<p align=\"center\"><a href=\"http:\/\/cts.vresp.com\/c\/?RIPMConsortiumLtd.\/606886bac9\/3fdca83fa7\/d715bbc74f\">WWW.<strong>RIPM<\/strong>.ORG<\/a><\/p>\n<p align=\"center\">\n<\/div>\n<div style=\"line-height: 1em;\">\n<p style=\"text-align: left;\" align=\"center\"><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a>\u00a0<span style=\"font-size: 10pt;\">See\u00a0H. Robert Cohen, \u201cViafora\u2019s \u2018Gallery of Celebrities\u2019 in\u00a0<em>Musical America\u00a0<\/em>(1915-1920),\u201d\u00a0<em>Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Bla\u017eekovi\u0107,\u00a0<\/em>(Vienna: Hollitzer Verlag, 2018): 535-569.<\/span><\/p>\n<\/div>\n<p><span style=\"font-size: 10pt;\"><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/span><\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\"><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Last week,\u00a0we introduced\u00a0Gianni Viafora\u00a0and his &#8220;Gallery of Celebrities&#8221; in Musical America.[1]\u00a0Today we showcase his drawings of Puccini and Mascagni and compare them with contemporary photographs of the composers. We leave you to compare the skill and amusing refinement with which this all-but-forgotten artist depicts his subjects. We also include several texts from Musical America, a [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-2511","post","type-post","status-publish","format-standard","hentry","category-curioschronicles"],"_links":{"self":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts\/2511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2511"}],"version-history":[{"count":150,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts\/2511\/revisions"}],"predecessor-version":[{"id":2743,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=\/wp\/v2\/posts\/2511\/revisions\/2743"}],"wp:attachment":[{"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cnc.ripm.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}